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Advanced Placement (AP) English Language and Composition

How do advertisements convince us (or not) to buy a product? What strategies do political candidates use to persuade voters? How do nonfiction authors use many of the same literary tools that fiction authors use? In this challenging course, we answer such questions through rhetorical analysis, studying how authors communicate within particular contexts. We investigate authors’ purposes, audiences’ expectations, genre conventions, historical and political situations, and all of the other elements that affect the writing and reading of texts. Students learn not only to understand others’ rhetorical strategies, but also to effectively use such strategies themselves. Students learn to make effective arguments and to write compelling prose. Reading assignments emphasize nonfiction from a variety of historical periods and include both visual and written texts. This course is the equivalent of an introductory composition course offered at most colleges.

(Open to students in grade 11, after consultation with the student’s advisor and current English teacher, and with permission of the Department Head. Full year. 1 credit.)

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Being Human: Literature of the Monstrous and the Humane (AP English Literature and Composition)

What does it mean to be human? To be a monster? Can one be both? In this course we will read classic and contemporary works of literature that explore these questions, such as Mary Shelley’s Frankenstein, with its created “human’; Kazuo Ishiguro’s Never Let Me Go, in which a boarding school is more than it seems; Shakespeare’s The Tempest and Aimé Césaire’s A Tempest, in which the colonized subject is framed as monstrous. Along the way, we’ll visit with vampires, werewolves, cyborgs, witches, djinn, scientific experiments gone awry, and monsters galore.

(Open to students in grade 12 after consultation with the student’s advisor and current English teacher, and with permission of the Department Head. Full year. 1 credit.)

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Cherry Blossom and Pine: Ecological Literature in East Asia and the US (AP English Literature and Composition)

The United States and China are by far the greatest polluters in the world. Each also prides itself on its long tradition of celebrating the beauty of nature in landscape paintings, poetry, and literature. In this class, students will read a variety of literature from 20th and 21st-century writers from the United States, China, Japan, and Korea, looking for common ground in understanding our complex position in the Anthropocene, as we face the reality that our quest for knowledge, power, and profit has profoundly altered our relationship with nature. The readings will include writing that is rooted in the thinking of indigenous people, mythological figures, folklore, early indications of alarm from the 20th century, as well as contemporary reflections on technology and the natural world and science fiction. Readings will include films, stories, novels, and essays from such authors as: Henry David Thoreau, Mary Oliver, J. Drew Latham, Lu Xun, Enchi Fumiko, and Hwong Sok-Yong, among many others. (Open to students in grade 12 after consultation with the student’s advisor and current English teacher, and with permission of the Department Head. Full year. 1 credit.)

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Creative Writing

In this workshop-style course, students discover what they have to say as they explore how to say it. As students read and write memoirs, short stories, essays, and poems, they develop a deeper understanding of their own ways of seeing the world—and how these shape their writer's voices. Exercises in fiction writing give students a working understanding of character, setting, point of view, and theme. Memoir assignments invite students to explore the uses of narration and reflection. Students write frequently and are expected to embrace the process of revision – that is, to discover ways to close the gaps between what they think they want to say, what they actually want to say, and what they do say. Emphasis is placed on class participation with a focus on the art of giving and receiving feedback. Readings will include works by contemporary and classic authors in many styles and genres. (Open to students in grade 12. Full year. 1 credit.)

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Diamonds Formed Under Pressure: Literature’s Search for the Meaning of Life (AP English Literature and Composition)

Have you ever wondered why we read so few “happy” books in high school English classes? For thousands of years, artists have tried to discover ways for us to find joy and meaning in the world as it really is, not as we would like it to be. In this course, we will uncover the answers literature offers to questions like: How do I thrive amid external adversity like violence, prejudice, and loss? How do I work with challenges that seem to come from within, like insecurity, anxiety, and loneliness? How do I choose a path when every outcome is uncertain? Can struggle actually lead to joy or meaning? We will read books such as Sophocles’ Oedipus Rex, Shakespeare’s Hamlet, Virginia Woolf’s Mrs. Dalloway, Toni Morrison’s Beloved, and James McBride’s Heaven and Earth Grocery Store, as well as short stories, poetry, and non-fiction by writers like John Keats, Alfred Tennyson, Vladimir Nabokov, Robert Hayden, Viktor Frankl, Amy Tan, Mary Oliver, Robin Wall Kimmerer, and Joy Harjo. By the end of the course, you will be ready to succeed on the AP English Literature exam, and you will have tools to help you chart a course of joy and meaning as you transition into adulthood. (Open to students in grade 12 after consultation with the student’s advisor and current English teacher, and with the permission of the Department Head. Full year. 1 credit.)

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Journalism: Hallmanac, the Dana Hall Student Newspaper

This course teaches students to write quickly, accurately, and effectively and helps the student editorial staff produce a polished, responsible online newspaper that reflects and enlivens the Dana Hall community. Students identify and write newsworthy items, feature articles, and editorials; interview sources, both inside and outside of the school community; work as a team to set and meet deadlines; revise, polish, proof, and edit articles for posting; and create or select illustrations and photographs. The course also examines the history and contemporary world of journalism. Students may enroll in this course for multiple years.

(Open to students in grades 10, 11, and 12. Required for Hallmanac Editors. Full year. ½ credit.)

View: Hallmanac

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Language-Intensive Literature and Composition I: Literary Coming of Age

Language-Intensive Literature and Composition I is designed for international students who need to build their skills in reading and writing American English. Students learn the strategies that help them enjoy greater confidence and success as readers and writers. Readings, which include such works as I Am Malala; The Hate U Give; The Graveyard Book; and a Shakespearean play as well as assorted short stories and poetry, emphasize coming-of-age themes. Critical, mindful reading is emphasized. Extra attention is devoted to vocabulary development, as well as grammar, usage, and mechanics. This course is taken concurrently with Writing and Communication. (Full year. 1 credit.)

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Literature and Composition I: Literary Coming of Age

Literature and Composition I provides students with opportunities to further develop their reading and writing skills. Readings, which include such works as The Catcher in the Rye and The Hate U Give, and a Shakespearean play as well as assorted short stories and poetry, emphasize coming-of-age themes. Students embrace the writing process in a variety of assignments, from creative pieces to thesis-driven essays. Critical, mindful reading is emphasized. This course also includes vocabulary development and a focus on grammar, usage, and mechanics. (Full year. 1 credit.)

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Literature and Composition II: Readings in World Literature

Students study literature of varied genres with a focus on women in an international context. Readings include such works as Pride and Prejudice, Persepolis, and The Handmaid’s Tale, as well as contemporary novels from Africa and Asia; poetry; plays such as Shakespeare’s Othello; and podcasts. Students become increasingly more adept, sophisticated writers and public speakers by writing and speaking in a variety of modes. Students emerge from Literature and Composition II with strengthened critical writing skills and a broadened global perspective on literature. (Full year. 1 credit.)

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Literature and Composition III: Conversations in American Literature

In Literature and Composition III, students examine how writers depict, create, and criticize American values, identities, and conflicts in literature. Students practice close reading of novels, poetry, and plays by such diverse authors as Jacobs, Emerson, Thoreau, Douglass, Whitman, Dickinson, Chopin, Fitzgerald, Kesey, Kushner, and Gyasi. Students continue to become more sophisticated writers through the composition and revision of analytical and personal essays as well as creative assignments. Students emerge from this course with strengthened critical thinking, reading, and writing skills, as well as increased empathy and understanding of the ways art can both reflect and reshape American society. (Full year. 1 credit.)

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Senior English Seminar 

In this final high school English course, you will prepare to be a reader, writer, and thinker in college and beyond. What does it look like to be a lifelong learner? What kind of critical thinking do you need to be able to use as you head out into the world beyond Dana Hall? How can the written word both reflect and inform your choices and life experiences? Through an exploration of diverse literary genres (including novels, poetry, plays, short stories, speeches, and nonfiction), students will strengthen their critical thinking skills while drawing connections to the world around us. Writing assignments will include literary analysis as well as personal writing, creative pieces, and real-world writing. This course is designed to help students internalize the tools necessary to successfully navigate the challenges and choices they will face as women and citizens of the world.

(Open to students in 12th grade. Full year. 1 credit.)

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Women at the Edge (AP English Literature and Composition)

This course provides a historical survey of women in fiction. In Trimester I, readings may include selections from Euripides’s Medea and Lorraine Hansberry’s A Raisin in the Sun. In Trimester II, readings include Their Eyes Were Watching God by Zora Neale Hurston and a broad selection of short stories by international 19th, 20th, and 21st-century women writers from countries such as China, Japan, South America, South Korea, the United Kingdom, Africa, and the United States. variety of short stories and poems by women authors about topics such as love, desire, freedom, and marriage. Other possible readings may include Shakespeare’s Twelfth Night. In Trimester III, students continue their work with Twelfth Night, then finish the year with Alison Bechdel’s graphic novel Fun Home. Core skills developed in this class include critical thinking, close reading, discussion development, analytical writing, active listening, and effective notetaking. While the course approaches the texts and topics from a historical perspective, it is expected that students involve themselves in connecting their reading to current socio-political developments impacting the lives of women, nationally and internationally.

(Open to students in the 12th grade, after consultation with the student's advisor and current English teacher and with permission of the Department Head. Full year. 1 credit.)

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Writing and Communication

Writing and Communication is designed for international students who need to build their skills in reading, writing, and speaking American English. This writing-intensive course develops students’ ability to read critically, discuss and present ideas fluently, and write clearly in a variety of formats. Vocabulary lessons focus on words from assigned texts. Grammar lessons help students identify and correct common errors as they create more sophisticated sentences. This course is designed to be taken concurrently with Language-Intensive Literature and Composition I. (Full year. 1 credit.)

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